Entangled: Technology and the Transformation of Performance. MIT Press, FEBRUARY 2010

"Sonic Interaction Design: Aesthetic Perspectives-Performativity, Publics and and Soundings." (with Karmen Franinovic). In Sonic Interaction Design: Process and Products. Ed. Karmen Franinovic and Stefania Serafin. MIT Press, 2011.

"Timbral Architecture | Aurality’s Force: Music and Sound in the Choreographies of William Forsythe," William Forsythe, Ed. Steven Spier, Routledge Press, 2010.

"The Question of Thresholds: Immersion, Absorption and Dissolution in the Environments of Audio-Vision." See This Sound. Ludwig Boltzman Institute/Lentos Museum/Ars Electronica. 2009 (in preparation).

"Environments, Interactions and Beings: The Ecology of Performativity and Technics," in Interfaces of Performance (Eds. Maria Chatzichristodolou, Rachel Zerihan and Jannis Jeffries), AHRC ICT Methods Network Series, Digital Research in the Arts and Humanities, Ashgate, London, 2009 (in press)

"Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance," CMMR Post Symposium Proceedings, Springer LNCS Series, 2008

"TGarden: Towards Ubiquitous Play, Embodied Interaction and Inhabitant-Environment Response in Mobile Music" in Mobile Music: Community, Creativity and Ubiquity (Eds. Atau Tanaka and Lars Erik Holmquist), MIT Press, 2009 (forthcoming)

"Schwelle: Thresholds of Agency/Edges of Experience," in The Senses in Motion, Ed. Heidi Gilpin, MIT Press, 2009 (in preparation)

"Sharing Data in Collective Interactive Performances: The SenseWorldDataNetwork:" Submitted for 9th Annual Conference in New Interfaces for Musical Expression (NIME 2009), Pittsburg, Pa, USA [PDF]

"Dramaturgies of Sound: Interactive Sound Design in Live Performance," Proceedings for the 1st International Workshop in Sonic Interaction Design, CHI, Florence, April 2008

"Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance," Proceedings for the 2007 International Computer Music Conference (ICMC), Copenhagen, September 2007 [PDF]

"Schwelle: Sensor Augmented, Adaptive Sound Design for Live Theatrical Performance," Proceedings for the 7th Annual Conference in New Interfaces for Musical Expression (NIME 2007), New York, NY, April 2007 [PDF]

"Sponge: A Case Study in Practice-based, Collaborative Research," (with Sha Xin Wei), Proceedings for the 4th Annual ACM conference in Creativity and Cognition, Goldsmiths College, London, April 2005 [PDF]

Review: 8th MANIFESTATION INTERNATIONALE of CHAMP LIBRE, etc. magazine, Montreal, Spring 2009.

Chronopolis: visual and written essay. With Erik Adigard. LoudPaper, 2003 [PDF]

"The Architecture of Listening," online hypermedia essay, "Crossfade," Goethe Institut/San Francisco, ZKM, Karlsruhe, Germany, San Francisco Museum of Modern Art, San Francisco, Walker Arts Center, Minneapolis, 2001 [Link]

Sponge: The Surface That Holds the Image is Unstable," éc/ArtS : #2 [00-01]. Fall 2000. Spécial: Textualitiés et Nouvelle Technologies. [PDF]